PROJECT II: Gestalt Theory > Abstract Variation & Placement Perspective
Objective
Students will visualize Gestalt theory and recognize how it is working in the development of an non-objective, value and implied texture driven design.
Other beneficial learning objectives
Activate Negative Space, Scale, Value, Pattern & Rhythm in the creation of a non-objective abstract composition that emphasizes Placement Perspective and variation of value, scale and mark
Other beneficial learning objectives
Activate Negative Space, Scale, Value, Pattern & Rhythm in the creation of a non-objective abstract composition that emphasizes Placement Perspective and variation of value, scale and mark
Paper Orientation =
Vertical with matted interior paper plane
Process
Part 1
Methods for creating and making non-objective mark
Methods for creating and making non-objective mark
i. Using your compass, string and yarn, draw a number of circles in varying sizes no smaller than 2" to fill one piece of Bristol
ii. Experiment with different marking devices using India Ink on dry / semi-dry / dry and different tools
iii. Towel up some areas with newsprint or paper towels, mask other areas with paper cement that is removed when ink + H20 solution has dried
iv. Make sure you have an excellent variation of VALUE and PATTERN
Process
Part 2
Design Composition
Design Composition
Do the Math:
Bristol = 11" x 14"
Bristol = 11" x 14"
You need an image window that is 9" x 12"
Your finished design will be a vertical orientation work
i. Experiment with different values of India Ink in your circles
ii. Add salt for variation and organic effects
iii. Mask off gutter -- the outside border beyond the image window with tape
iv. Make use of one of your favorite ink variations as the back ground for this design. It should be a middle grey or lighter
v. Arrange cut circles on the second Bristol page making use of a variety of VALUE, SCALE + PATTERN VARIATIONS
vi. Activate NEGATIVE SPACE, allowing a VARIED SPACING between objects
vii. Experiment with OVERLAPPING and CROPPING of your figures
viii. When you have found the most varied composition that describes the criteria of this assignment best, glue thoroughly down with paper cement (glue neatly to the edge).
Materials
11" x 14" Bristol
salt & dish detergent
salt & dish detergent
compass
string or yarn
India ink
scissors
paper cement
Variety of mark making tools including: masking tape, brushes, chop sticks, typeface, screws, twigs, et al.
WARNING
> Pay close attention to CRAFT of your design
> Title on left lower edge Abstract Variation, Value & Placement Perspective
> Date and sign on the right lower edge
INSPIRATIONAL RESOURCES
Surface of the Moon and other lunar planets
oil slicks
organic textures
water patterns
Student Work
INSPIRATIONAL RESOURCES
Surface of the Moon and other lunar planets
oil slicks
organic textures
water patterns
Find 4 inspirations that illustrate this project well. Download them with their URL and paste into your Sketch Book. Note a minimum of 4 Principles & Elements of Design on each.
Student Work